Using Fender Guitar Serial Numbers to determine the date of manufacture. Fender Serial Numbers, 1950 to 2007 (Identifying the Year). An inexact science to be sure. Dating a Fender guitar with the serial number is a hit or miss propisition. It helps narrow things down, but in most cases is an inexact science. Fender china. By zakstar, 7 years. If the serial number prefix is 'CGF' as you indicated, that is not a Squier by Fender as Squier serial numbers prefixes for China are two letters with the exception of 'CXS' per my references. According to the dealer Fender were so impressed with the CV Squier guitars that they decided to release the.

So you need to figure out the year of production for your Fender guitar or bass. You're not alone. Fenders rank as the most frequently bought and sold instruments on Reverb, and finding a precise date of manufacture can be key to determining the value and specifics of an instrument.

The most important thing to keep in mind when dating a Fender is the highly modular nature of the designs. Like Henry Ford, part of Leo Fender's genius was in optimizing the company's production efficiency. His guitars were built en masse by an entire factory, not a single luthier toiling over one instrument at a time. Features like bolt-on necks and pickups wired into the pickguard all helped the Fender factory churn out guitar after guitar, day after day. This also means that various parts used on a particular guitar may have come from different points in time, so no single number can absolutely define when the instrument was built.

Instead, the best approach to dating a Fender is to combine indicators from the design of the instrument, the dates found on the neck and body, along with the serial number. Once you have the information you need, if you're interested in selling your Fender, you can use Reverb to get it in front of the largest audience of musicians in the world by clicking on this link.

Design Changes and Features

Perhaps the best place to start when dating your Fender is to get an approximate idea of the era based on the instrument's design and components. This can be a tall order for someone less versed in guitar history, but we do have some resources here on Reverb to help you out.

For starters, there's the

We also have some other blog posts related to Fender that can hopefully be of some help. There's A Brief History of the Stratocaster Part I and Part II that follows the evolution of the most popular Fender guitar of all. Similarly, take a look at Behold the Jazzmaster for general timeline of the history of everyone's favorite offset guitar. For Fender during the turning point era of the mid-'60s, check out Fender and the CBS Takeover.

Body and Neck Dates

Through much of Fender's production history, Fender workers would print or write a production date on both bodies and necks where the two pieces meet. These dates will tell when the original part was manufactured, but are not exact indicators of when the guitar was actually put together and finished.

Here is what the neck date and body date look like from a 1952 Telecaster:

If you're not comfortable removing the neck of a guitar to peek at the date marker, I encourage you to take it to a local tech or luthier.

I will also mention briefly pot-codes as a resource (numbers on the internal potentiometers of the guitar). These can definitely be useful in cases where no other numbers exist, but just tell when the pot itself was made. Who knows how long it was waiting in the Fender factory before finding its way into a Tele?

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Serial Numbers

Like the body and neck dates, using serial numbers to date a Fender is not a sure bet. At many points in Fender's history, serial number usage overlapped again owing to the modular manner of production. Below we'll go into detail about the various serial number schemes employed by Fender as far back as 1950. There are certainly plenty of exceptions, so again, using serial numbers in conjunction with other dating methods is always the best bet.

Click on the links here to jump directly to the serial number style that matches your instrument:

The Early Years: 1950 - 1954

In the early years, Fender serial numbers schemes were specific to the model. Esquires, Broadcasters and Telecasters shared a serial number sequence, while the landmark Precision Bass had its own system. In this early period, the serial number can be found on the bridge of the instrument (see image).

Here are the rough serial number ranges for the early Esquires and Telecasters:

And here are the ranges for the original Precision Basses:

Also, for the first half or so of 1954, the inaugural run of Stratocasters had a distinct number sequence all under number 6000.

Classic Serial Numbers - 1954 - 1963

By mid-1954, Fender began using a universal serial number sequence for all its instruments. At this time, the location of the serial number also shifted from the bridge to the neckplate (the metal plate located on back of where the neck meets the body).

Here's how the serial numbers break down from 1954 to the beginning of 1963, though there are some areas of inconsistency in this era:

L Series - The Transition Period of 1963 to 1965

At the very end of 1962 and into 1963, Fender changed to a system where serial numbers began with an 'L.' According to some accounts, the L was supposed to just be a 1 to mark the cross over into the 100,000 range from the previous scheme, but an L was used by mistake.

Here the range of the L-series serial used each year. Some of the earliest ones actually popped up in late 1962 as well:

F Series - CBS Era 1965 - 1976

After the CBS purchase of Fender in 1965, the factory switched to a new serial sequence with numbers that continued the same general format used prior to the takeover. These are generally referred to as F series due the large Fender branded F on the neckplates of the era. This period also saw a switch from the orginal four-bolt neckplate of the '60s to a three-bolt neckplate in just one example of cost-saving costs introduced under CBS.

Post 1976

Starting in 1976, Fender transitioned to a new serial number scheme and moved the placement of most serial numbers to the headstock of the instrument. Depending on the era and model, the number can be found on either the front or back of the headstock.

After a short period of overlap with the old system, the post-76 numbers will start with a letter that indicates the decade, followed by a number that indicates the year of that decade. The decade letter codes break down like this: S = 1970s, E = 1980s, N = 1990s, Z = 2000s. In the 2000s, you'll also see serials starting with a DZ which indicates the Deluxe series, but the format is otherwise the same.

For example, a serial number with N4 would be from 1994. One starting with Z5 would be from 2005.

This scheme is not 100% consistent due to a number of production factors, such as Fender producing more serialized decals than needed in a given year. This is particularly pronounced in the transitional period of the mid-'80s, though the system has been pretty much on point since about 1990.

After 2009, the letter changed to a format starting with US then two digits that tell the year of the current decade.

Here's the breakdown of Post-1976 American-made Fender serials:

Signature Series

American-made signature series instruments follow a very similar scheme to the above, but use a prefix S before the decade letter. For example, a Signature Series guitar from 1998 would have a serial starting with SN8 followed by five digits.

American Vintage Reissue models

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The major exception to all of this is the American Vintage Reissue (AVRI) series. These have serial numbers starting with V and do not strictly correlate to years. The neck dates on these guitars, however, are usually reliable.

Made in Japan Fender Serials

Fender Japan serial numbers can usually be found on the back of the neck near the neck joint. Though examples also exist with the number on the headstock or the neck-plate in the case of certain early reissue models. Up until 1997, the serial was paired with the words 'Made in Japan.'

In 1982, Fender expanded operations with a series of instruments produced in Japan by the Fuji Gen Gakki company. Like the US serial numbers, MIJ (made in Japan) serials start with a letter or pair of letters that indicate the rough year of production. This system, however, is notoriously inconsistent and incomplete, which makes dating by serial number even less reliable for MIJ Fenders.

Here's a breakdown of serials for the 'Made in Japan' era:

Fender Squier Strat Serial Number Lookup

Crafted in Japan Serial Numbers

In 1997, Fender changed the 'Made in Japan' decal to say 'Crafted in Japan.' There is some overlap with the earlier 'MIJ' serials, so it's important to note if your instrument carries the 'Made in Japan' or 'Crafted in Japan' decal.

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Here are the serial numbers for the 'Crafted in Japan' or 'CIJ' era:

After 2007, Fender Japan switched back to marking Fenders as 'Made in Japan' though for a few years instruments with both decals were made. Serial numbers since this transition have continued the same sequence as the 'CIJ' era.

Made in Mexico Fender Serials

Fender opened a factory in Ensenada, Mexico in the late '80s and instruments started coming off the line in 1990. Mexican-made (MIM) Fenders carry a serial number on the headstock starting with an M. Some exceptions include a handful of special editions and signature models as well as the split US/Mexican-made California series which all have a 'AMXN' at the beginning of their serials.

The MIM serial number scheme is actually very straight-forward. For Mexican Fenders made in the 1990s, the serial will start with an MN followed by a number that indicates the year of the decade. Instruments made in the 2000s follow the same form but start with MZ. For the 2010s, the prefix is MX1. For example, a serial number starting with MN2 would be 1992.

Here's the serial number breakdown for a majority of MIM Fenders:

Exceptions

There are a number of exceptions to all these serial number schemes. As mentioned above, many reissue models use serial numbers that don't really correlate to their age. Additionally, there have been plenty of artist models, limited editions and other rare models that use a unique serial number. Examples include the 35th anniversary series, many of the uniquely finished Strats from the early '80s, as well as various export-specific models which carry a serial number starting with FN.

Again, the serial number alone in any of these cases is not definitive and the best approach is to combine that with other methods like the neck and body dates, as well as just the features of the specific instrument. If you have any questions as to what Fender you're dealing with, I encourage you to seek out a local guitar shop or luthier to help figure it out.

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The Fender Stratocaster is a model of electric guitar designed in 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster from 1954 to the present. It is a double-cutaway guitar, with an extended top 'horn' shape for balance. Along with the Gibson Les Paul and Fender Telecaster, it is one of the most-often emulated electric guitar shapes.^[1][2] 'Stratocaster' and 'Strat' are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are usually called S-Type or ST-type guitars.

The Stratocaster is a versatile guitar, usable for most styles of music and has been used in many genres, including country, reggae, rock, pop, folk, soul, rhythm and blues, blues, jazz, punk, and heavy metal.

• 2Fender 1985–present

Design developments[edit]

The Fender Stratocaster was the first guitar to feature three pickups and a spring tension vibrato system, as well as being the first Fender with a contoured body.^[3] The Stratocaster's sleek, contoured body shape (officially referred to by Fender as the 'Comfort Contour Body'^[4][5]) differed from the flat, slab-like design of the Telecaster. The Stratocaster's double cutaways allowed players easier access to higher positions on the neck.^[6]

Starting in 1954, the Stratocaster was offered with a solid, deeply contoured ash body, a 21-fret one-piece maple neck with black dot inlays, and Kluson tuning machines. The color was originally a two color sunburst pattern, although custom color guitars were produced (most famously Eldon Shamblin's gold Stratocaster, dated 6/1954). In 1956, Fender began using alder for sunburst and most custom color Stratocaster bodies; ash was still used on translucent blonde instruments.^[7] In 1960, the available custom colors were standardized, many of which were automobile lacquer colors from DuPont available at an additional 5% cost. A unique single-ply, 8-screw hole white pickguard (changed to an 11-screw hole 3-ply in late 1959) held all electronic components except the recessed jack plate—facilitating easy assembly.

Original Stratocasters were manufactured with five tremolo springs, allowing the bridge set up to 'float'. In the floating position, players can move the bridge-mounted tremolo arm up or down to modulate the pitch of the notes being played. Hank Marvin,^[8]Jeff Beck^[9] and Ike Turner^[10] have used the Stratocaster's floating vibrato extensively in their playing. As string gauges have changed, players have experimented with the number of tremolo springs, and as the average gauge has decreased over the years, modern Stratocasters are equipped with three springs as a stock option in order to counteract the reduced string tension. While the floating bridge has unique advantages, the functionality of the 'floating' has been accepted and disputed by many musicians. As the bridge floats, the instrument has a tendency to go out of tune during double-stop string bends. Many Stratocaster players opt to tighten the tremolo springs (or even increase the number of springs used) so that the bridge is firmly anchored against the guitar body: in this configuration, the tremolo arm can still be used to slacken the strings and therefore lower the pitch, but it cannot be used to raise the pitch (a configuration sometimes referred to as 'dive-only'). Some players, such as Eric Clapton and Ronnie Wood, feel that the floating bridge has an excessive propensity to detune guitars and so inhibit the bridge's movement with a chunk of wood wedged between the bridge block and the inside cutout of the tremolo cavity, and by increasing the tension on the tremolo springs; these procedures lock the bridge in a fixed position. Some Stratocasters have a fixed bridge in place of the tremolo assembly; these are colloquially called 'hard-tails'. There is considerable debate about the effects on tone and sustain of the material used in the vibrato system's 'inertia bar' and many aftermarket versions are available.

The Stratocaster features three single coilpickups, with the output originally selected by a 3-way switch. Guitarists soon discovered that by jamming the switch in between the first and second position, both the bridge and middle pickups could be selected, and similarly, the middle and neck pickups could be selected between the 2nd and 3rd position.^[11] When two pickups are selected simultaneously, they are wired in parallel which leads to a slight drop in output as slightly more current is allowed to pass to the ground. However, since the middle pickup is almost always wired in reverse (and with its magnets having opposite polarity), this configuration creates a spaced humbucking pair, which significantly reduces 50/60 cycle hum. In 1977 Fender introduced a 5-way selector making such pickup combinations more stable.^[12]

The 'quacky' tone of the middle and bridge pickups, popularized by players such as Jimi Hendrix, Stevie Ray Vaughan, David Gilmour, Rory Gallagher, Mark Knopfler, Bob Dylan, Eric Johnson, Nile Rodgers, Scott Thurston, Ronnie Wood, John Mayer, Ed King, Eric Clapton^[13] and Robert Cray, can be obtained by using the pickup selector in positions 2 and 4. This setting's characteristic tone is not caused by any electronic phenomenon—early Stratocasters used identical pickups for all positions. This 'in between' tone is caused by phase cancellation due to the physical position of the pickups along the vibrating string. The neck and middle pickups are each wired to a tone control that incorporates a single, shared tone capacitor, whereas the bridge pickup, which is slanted towards the high strings for a more trebly sound, has no tone control for maximum brightness. On many modern Stratocasters, the first tone control affects the neck pickup; the second tone control affects the middle and bridge pickups; on some Artist Series models (Eric Clapton and Buddy Guy signature guitars), the first tone control is a presence circuit that cuts or boosts treble and bass frequencies, affecting all the pickups; the second tone control is an active midrange booster that boosts the midrange frequencies up to 25 dB (12 dB on certain models) to produce a fatter humbucker-like sound.

Dick Dale was a prominent Stratocaster player who also collaborated with Leo Fender in developing the Fender Showmanamplifier. In the early 1960s, the instrument was also championed by Hank Marvin, guitarist for the Shadows, a band that originally backed Cliff Richard and then produced instrumentals of its own. In 1965, George Harrison and John Lennon acquired Stratocasters and used them for Help!, Rubber Soul and later recording sessions; the double unison guitar solo on 'Nowhere Man' is played by Harrison and Lennon on their new Stratocasters.^{[14][15][16][17]}

After the introduction of the Fender Stratocaster Ultra series in 1989, ebony was officially selected as a fretboard material on some models (although several Elite Series Stratocasters manufactured in 1983/84 such as the Gold and Walnut were available with a stained ebony fretboard). In December 1965 the Stratocaster was given a broader headstock with altered decals to match the size of the Jazzmaster and the Jaguar.

Fender 1985–present[edit]

During the CBS era, particularly the 1970s, the perceived quality of Fender instruments fell. During this time, vintage instruments from the pre-CBS era became popular.

When the Fender company was bought from CBS by a group of investors and employees headed by Bill Schultz in 1985,^[18] manufacturing resumed its former high quality and Fender was able to regain market share and brand reputation. Dan Smith, with the help of John Page, proceeded to work on a reissue of the most popular guitars of Leo Fender's era. They decided to manufacture two Vintage reissue Stratocaster models, the one-piece maple neck 1957 and a rosewood-fretboard 1962 along with the maple-neck 1952 Telecaster, the maple-neck 1957 and rosewood-fretboard 1962 Precision Basses, as well as the rosewood-fretboard 'stacked knob' 1962 Jazz Bass. These first few years (1982–1984) of reissues, known as American Vintage Reissues, are now high-priced collector's items and considered as some of the finest to ever leave Fender's Fullerton plant, which closed its doors in late 1984.^[19]

In 1985, Fender's US production of the Vintage reissues resumed into a new 14,000 square-foot factory at Corona, California, located about 20 miles away from Fullerton.^[19] Some early reissues from 1986 were crafted with leftover parts from the Fullerton factory. Fender released their first Stratocaster signature guitar for Eric Clapton in 1988.

As well as the vintage reissues, Fender launched an updated model in 1987: the American Standard Stratocaster. This was tailored to the demands of modern players, notably having a flatter fingerboard, a thinner neck profile and an improved tremolo system. This model line has been continuously improved and remained in production until late 2016. The model line received upgrades in 2000, when it was renamed as the American Series Stratocaster, and again in 2008, when the American Standard name was restored. In 2017, the American Standard Stratocaster was replaced by the American Professional Stratocaster, with narrow frets, a fatter 'deep C' neck profile and V-Mod pickups. Various other modern American-made Stratocasters have been produced. As of 2019, these include the more affordable American Performer Stratocaster (successor to the Highway One and American Special Stratocasters) and the more expensive American Elite Stratocaster.

Fender has also manufactured guitars in East Asia, notably Japan, and in Mexico, where the affordable 'Player' series guitars are built.

Fender Strat Plus Series[edit]

Fender has produced various 'deluxe' modern American Stratocasters with special features.

The Strat Plus was produced from 1987 to 1999 and was equipped with Lace Sensor pickups, a roller nut, locking tuners, a TBX tone control and a Hipshot tremsetter.^{[20][self-published source][21][self-published source]} The Strat Plus Deluxe was introduced in 1989 with pickup and tremolo variations. The Strat Ultra was introduced in 1990, again with pickup variations, and also with an ebony fingerboard.

Fender Squier Strat Serial Number Lookup By Address

Notable Stratocaster players[edit]

See also[edit]

• Guitar portal

References[edit]

1. ^D'arcy, David (November 12, 2000). 'ART/ARCHITECTURE; Strummed by One Hand, Sculptured by Another'. The New York Times. Retrieved May 2, 2010.
2. ^Ed Mitchell (Total Guitar) (2011-12-28). 'IN PRAISE OF: The Fender Stratocaster | IN PRAISE OF: The Fender Stratocaster'. Musicradar.com. Retrieved 2013-12-14.
3. ^Fricke, David. 'American Icons: The Stratocaster'. Proquest.com. Rolling Stone.
4. ^'1954 Limited Edition Stratocaster Owner's Manual (Catalog Copy)'. Fender.com. Archived from the original on 27 June 2012. Retrieved 14 July 2012.
5. ^Duchossoir, A. R. (1994). Hal Leonard: The Fender Stratocaster. Hal Leonard; Special 40th Anniversary Edition (1994). pp. 8, 9, 51. ISBN0-7935-4735-0.
6. ^Balmer 20.
7. ^Balmer 21.
8. ^'Custom 'EZ Trem' Tremolo Arms For Fender Stratocaster'. Stratcat.biz. Retrieved 14 August 2018.
9. ^'Under Investigation: Jeff Beck'. Guitarplayer.com. Retrieved 14 August 2018.
10. ^Rites of Passage: A Memoir of the Sixties in Seattle by Walt Crowley, William Crowley - University of Washington Press, 1997
11. ^Balmer 23.
12. ^'Fender Stratocaster History: The evolution of an icon'. Carlos Eduardo Seo. Retrieved 9 September 2015.
13. ^'Eric Clapton Speaks: Best blues guitar, Gibson or Fender?'Archived 2016-01-11 at the Wayback Machine, LGN.com, Dec 8, 2009
14. ^Balmer 154.
15. ^Babiuk, Andy (2002). Beatles gear. Hal Leonard. p. 157. ISBN978-0-87930-731-8.
16. ^Bacon 84.
17. ^Riley, Tim (2002). Tell me why: a Beatles commentary. Basic Books. p. 413. ISBN978-0-306-81120-3.
18. ^'January 4th: Fender Guitar Company, Which Was Started By an Out of Work Accountant Who Never Learned to Play the Guitar, was Sold to CBS for $13 Million'. Todayifoundout.com. 4 January 2013. Retrieved 14 August 2018.
19. ^ ^ab'The Stratocaster in the 1980s' by Jeff Owens, 6 Oct 2014
20. ^Schwarz, Jack (1987). 'Setup Procedures for the Fender Strat Plus Models'(PDF) (product manual). Fender Musical Instruments Corporation. Self-published. Retrieved 2018-06-09.
21. ^Fender Musical Instruments Corporation. 'Strat Plus Owner's Manual Addendum (1987)'(PDF) (product manual). Self-published. Retrieved 2018-06-09.

Sources[edit]

• Balmer, Paul (2007). The Fender Stratocaster Handbook: How to Buy, Maintain, Set Up, Troubleshoot, and Modify Your Strat. MBI. ISBN978-0-7603-2983-2. Archived from the original on 2013-12-31.
• Bacon, Tony. The Fender Electric Guitar Book: A Complete History of Fender Instruments. 3rd edition. Backbeat Books, 2007. ISBN978-0-87930-897-1.
• Wheeler, Tom. The Stratocaster Chronicles: Celebrating 50 Years of the Fender Strat. Hal Leonard, 2004. ISBN978-0-634-05678-9.
• U.S. Patent No. 2,741,146 (Tremolo device for stringed instruments; Stratocaster Tremolo system)
• U.S. Patent No. 2,960,900 (Utility patent for offset body styled guitars (Fender Jaguar/Jazzmaster))
• U.S. Patent No. D186826 (Design Patent for Fender Jazzmaster)

External links[edit]